The body as instrument. Gesture translated into mark.

The body observed, distorted, and reimagined.

Structure reduced to rhythm, repetition, and form.

Terrain reconstructed through movement and force.

Animal form distilled into instinct and primal expression.

Garments as structure. Identity without the body.

Early explorations of form, repetition, and mark-making.

Controlled multiples extending original works.

The body preserved as trace, material, and form.

Earlier works tracing the evolution of the practice.